I'm a month and five days into my deadline for the Pancake Book. I still haven't thought of a title, which is unusual for me. Typically I can't write on a story or book or anything if I've not got the title in place first. Could be that I want this title to be flat out killer, I mean a title that just takes the reader's head off. It'll come soon enough, possibly from some place in his letters.
The temptation to say where I'm at on the book (page count, etc.) is strong, but I'm going to resist. Clearly, though, it must be significant if I'm so tempted. There: said it without saying it. I should be okay and free of a nasty literary jinx
Also, if I'm being honest, writing so-called creative nonfiction has been incredibly satisfying. The whole process of writing about Pancake and what it means to be Appalachian has been far different than anticipated. There is plenty of room for creative stretching and building, use of fictive devices, etc. And the decisions, such as structure (especially in sectioning), have proven really roomy for creative tendency. Basically I'm pleasantly surprised, and, incidentially now much more interested in reading nonfiction. Lately it's been Joan Didion. Chris Offutt had mentioned her as one of his favorite writers and now I see why. She is talented in ways I hadn't even imagined. This line, for instance:
deep in that part of my heart where the artificial rain forever falls
Now that's some great writing. And it's even better in context. If you have Netflix watch the documentary The Center Will Not Hold. It's about Didion and turned me around on her. I always thought she would be entirely too highfalutin and New York City to be of much interest to me. I was full-press wrong.
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