“The Same Terrible Storm introduces us to a fierce and lyrical writer who, in his depiction of contemporary Appalachian life, is equal parts uncompromising and compassionate, and able to eerily channel a wide spectrum of distinctive voices—coal miners, musicians, pill poppers, snake handlers, writers, marijuana farmers, brutal men and complicated women, knowing children and dangerous elders—all of them filled with yearning, all of them inextricably bound to their time and place. An extraordinary debut collection.”K. L. Cook, author of Love Songs for the Quarantined and Last Call

“Sheldon Lee Compton is the definition of what Faulkner meant when he described the closeness between the short story writer and the poet, saying, “the short story…is the most demanding form after poetry.” A story like “The Son of a Man” in The Same Terrible Storm isn’t so much a story as it is prose poetry. Compton doesn’t write paragraphs, but rather indented stanzas.” David Joy, author of Where All Light Tends to Go

“This is a brilliant book by Sheldon Lee Compton, one of our finest short story writers in the independent publishing world.” Robert Vaughan, author of Microtones and Rift



“Yes, yes, yes, here’s a book that restores my faith that literary fiction can be more than just the repurposing of long exhausted themes, more than another trope for a previously disenfranchised group, and more than a game of sentence-making mumblety-peg played by a narrow swath of writers.  You could pick up hundreds of books and not find anything that resembles the way these words are assembled. Too much of literary fiction is simply a different story told with the same style of language. Sometimes it seems only the names of the characters have changed. Not so with Where Alligators Sleep.” Steven J. McDermott, author of Winter of Different Directions and Editor of Storyglossia

“I thought I knew flash fiction. I felt pretty comfortable with its range and scope, its genre boundaries and limitations. And then I read Sheldon Lee Compton’s Where Alligators Sleep. And everything I thought I knew and loved about flash fiction went sailing out the front door, hit the curb and was run over by a pickup truck. This is the sort of collection that reaches deep into your chest, grabs hold of your heart and twists. It is raw, visceral, daring, risky and, at the end of the day, rock-solid writing. I have never so whole-heartedly recommended a collection of flash fiction.” Steph Post, author of A Tree Born Crooked

“Pieces of flash and fiction that linger in your brain, but then as a whole become something more, a picture of what it means to be a man, full of violence, work, death, relationships, children, and what it means to be alive and part of the world.” Ben Tanzer, author of Be Cool


BROWN BOTTLE (a novel)

“Sheldon Lee Compton is one of the new young breed of Kentucky writers–talented, fearless, and strong–bringing us word from the hills. Chris Offutt, author of Kentucky Straight

“Sheldon Lee Compton is a hillbilly Bukowski, one of the grittiest writers to come down the pike since Larry Brown, and Brown Bottle is his best work yet.” Donald Ray Pollock, author of Knockemstiff and The Devil All the Time

“Brown Bottle, by Sheldon Lee Compton, is a bottleneck blues of a novel, played at midnight, harsh, unsparing, and real as hell. Brown Bottle the man is also someone you won’t forget. His story has emotional and moral weight. You won’t read a better novel this year.” Rusty Barnes, author of Ridgerunner



Volume 4 of Dog On A Chain Press's Lantern Lit. series, Vol. 4 features modern and aesthetic underground poetics from the Appalachian hillside. Sheldon Lee Compton appears with Dog On A Chain Press and in the Lantern Lit series for the first time with his contribution Podunk Lore.William Graham's second offering for the series is followed up by Mat Gould's third title in the series.

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