Saturday, May 19, 2018
There are still three stories I'm working to finish so I can put this latest collection to bed. Two haven't been started, but I have the bead down on them pretty good. The third will be done this evening.
The collection, which I've now, and with finality, titled Sway, is likely about a month from being completed.
I've been listening to some William Elliott Whitmore while finishing up this collection. In particular WEW's wonderful collaborative EP Hallways of Always. It's a good one, if you've not listened it. Also, for general stimulation, I've been hitting Hellbilly Deluxe. Rob Zombie has three masterpieces on that album, each one better than the last. Are they songs that became popular? Yes. But that doesn't always translate as pop.
at May 19, 2018
Thursday, May 17, 2018
Here's a quote that makes Johnson seem exactly like a prophet:
"It doesn’t matter. The world keeps turning. It’s plain to you that at the time I write this, I’m not dead. But maybe by the time you read it."
I honestly don't know what else to say other than I'm deeply saddened that we will have no more short stories from this man. He wrote as naturally as most of us speak to close friends and stories came from him in full bursts, exclamations born fully grown.
at May 17, 2018
Monday, May 14, 2018
Sunday, May 13, 2018
I'm four short stories away from finishing what will be my third short story collection, should it find its way to publication.
Of the four, I'm three paragraphs away from finishing one story (now titled "The Burning Torch in Yonder Turret Stands") and half finished with another called "The Corn Dolly". I have about three quarters written on another story, but it's a western tale and so not to be included in this next collection. I do plan to put together a book of western stories in the near future, though, but that'll be a good little while from now. Maybe a year, year and a half.
I am eager to get started on the other two stories for this new book, but I have to be patient or risk rushing the process, scaring off the story idea and thrust. I truly think a writer can do this. I can't remember who said it, but there's this idea out there that a short story has to approached with care or else you can scare it away, basically make it fold in on itself. I sometimes imagine the process as being akin to trying to massage a butterfly's wing.
Well enough talking about writing. Time to do some.
at May 13, 2018
Wednesday, May 2, 2018
Listening to the Braves try to take first place from the miserable Mets. First game in about four or so the Baby Braves didn't get on the scoreboard in the first inning. Doesn't bode well, I'd say. Thing is, even if we drop this one we will win tomorrow and take the series because that's what we've been doing so far this year.
I can't even figure out where or how to get the team on television without buying MLB Network for a year for a triple digit figure. Not doing that. So I listen to them on the radio, an Atlanta station, thank god. There's a simple and nice lull a baseball game on the radio can put you in. Sometimes I'm not listening to the details. Instead I'm kind of zoned out by the rhythm. This game is going to be slow, lots of strikes, lots of pop-ups. I can already tell.
Finished reading Kafka's The Castle. Didn't much like it, other than the comedy relief offered by the two assistant characters. Pretty much hated the narrator "K." who we all know is always a kind of Kafka placed into a fictional world to face fictional problems that perfectly reflected his own perceived horrors, mostly at home and with women (or his self-imposed lack of them). I'm not a fan of Kafka the Man. I love his short fiction and I loved In the Penal Colony, and I'm getting ready to finally put The Metamorphosis under my belt this year, but Kafka the Man was a weak mound of concentrated complaint and whining. I keep reading him because when he's on he really really on. But when he's The Castle, it's like reading a book that gets twenty pages longer every time you finish reading ten pages. Half the book (The Castle) were these massive chunks of dialogue. It almost made me wonder (considering the novel was published unfinished by Kafka's brother Robert) whether or not ol' Franz didn't have a dialogue first, exposition second kind of drafting setup. I don't know. I can't imagine he thought half a novel of nothing but lengthy chunks of dialogue that sounded like the most formal speech ever given in the history of the world was a good literary technique. I mean, I think the guy had a incredibly weak constitution, but I know he was a literary genius.
Still no score in the Braves game. Lots of strikes. Later you all.
~ ~ ~
at May 02, 2018
Tuesday, April 24, 2018
Ain't that a great name for a journal? It's about the best I've heard of since >kill author. And the gang there, headed up by writer and editor James Tadd Adcox, are publishing some cool work. The whole situation is a very high-level win, and I'm glad to say they gave my fiction some space there today.
Go have a read of my short story "My Spirit Animal Is the Tongue-Cut Sparrow" and let me know what you think. Seriously, I'd love to hear what you think.
As always, if it's your first visit to Always Crashing, take a few minutes and poke around. There's much there to be enjoyed.
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