I discovered a website curated by Lee Klein (former editor of Eyeshot.net and author of The Shimmering Go-Between and others). Lee is a kind of literary critic genius, so you'll want to put on your thinking cap when you visit him there at Literary Fundamentalism Forever or Lit Fun Forever.
I had a second short story accepted by Ben Drevlow at BULL Men's Fiction. It's called "South of Cincinnati" and it's about a hillbilly looking for work and purpose, and a little bit about how people view hillbillies and how that view is most of the time wrong. It contains a joke used as a framing devise that a lot of my fellow hillbillies will possibly not like very much. Let me say that, along with publishing a ton of great content, BULL is also the most beautifully designed journals out there. Just top notch. I think of this every time I visit the site. You will too I bet.
At the risk of all kinds of things, I can say that work is going great on my first attempt at a book of creative nonfiction, which I've taken to calling the Pancake book because I can't get a title in my head that fits. This one is the book that'll be coming out from West Virginia University Press. It's been about a week since I wrote any on it, but I understand my process better at age forty-two than I did at nineteen when I tried writing my first book. There's going to be month-long period when I write page and page after page every day and then there are going to be times when I won't write a word for weeks and weeks, sometimes even months. It'll kick back in.
Been reading more nonfiction the past month. Joan Didion, Helen Macdonald's H is for Hawk, Maggie Nelson's The Argonauts. Reading these (especially Didion) I'm getting a sense of how I can incorporate creative devices in nonfiction. And that's what I need because the book so far (and to be continuing I imagine) has included aspects of memoir, interview, biography, fiction, essay, and personal narrative.
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My short story "I Am War, Mr. Tolstoy" published today
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